Tibetan Opera2018-12-04T03:01:57+00:00

Tibetan Opera

Tibetan opera is known as Lhamo or Ache Lhamo in Tibetan. During your Tibet travel, you will often find the Tibetan opera performance in villages and if you visit Lhasa during the Lhasa Yogurt festival. The cultural wisdom of Tibetan for thousands of year and clearly reflected in the Tibetan opera. Many Tibetologist consider Tibetan opera as the living fossil of Tibetan culture. Legend has it that in 14th mystic Thangtong Gyalpo found the culture of Tibetan opera to raise the fund for building iron bridge throughout the Tibetan Plateau. He received the help from 12 sisters to perform in the Opera. Which are the first Ache Lhamo (Meaning sister goddess).

All the performance of the Tibetan Opera is base on some ancient Indian Buddhist folk tales. The Opera of Princess Wencheng is also base on the historical. Another reason for his troupe to travel far and wide is to spread the teaching of Lord Buddha in the form of entertainment. Most of the stories of the performance are hard work and struggle of the good people and ultimate triumph of the good over the evil. Right now there are nine major traditional Tibetan Opera.

The procedure and the performance style has not changed much since the 14th century. Nowadays, we follow the same opening rituals are enacted before the commencement of every performance, authentic costumes are worn, singing, dance, and musical tradition are strictly adhered to.

There is no much information about the development of Tibetan Opera until the time of 5th Dalai Lama. According to some source, it is said the mask and Custome of the hunter are designed by the fifth Dalai lama base on his dream. We have some wall mural about the Tibetan opera in The Potala Palace.

In the early 19th century, every county in Tibet has they own amateur troupe performing locally during the different occasions. Most famous troupes are Tashi Sholpa of Shol village below Potala palace,  Chongye Phundun of Chongye in Shanan Prefecture, Shangpa of Jang Village, Gyalkhara, Chungpa of Quxul village, and Kyormulung of Tulung county are the most popular. These troupe would regulation take part in the official festival in Norbulingka, Drepung Monastery and Sera Monastery

Notable troupes including Tashi Sholpa, Chongye Phundun, Shangpa, Gyalkhara, Chungpa, and Kyormulung are much sought after and are always a regular part of the official festivals at Norbulingka, Drepung Monastery, and Sera Monastery. The Tashi Sholpa is the oldest and most of popular of all the Tibetan Opera Troupe in Tibet. This troupe has they own dance for Good luck which is commonly performed during inaugurate special occasions such as big official gatherings and construction or opening or construction of a monastery. The performer would wear whiteboard mask to represent Thantong Gyalpo, the founder of Tibetan Opera. Since he lives for 140 years, his representation symbolizes the longevity and good health.

Traditionally, there are nine different Tibetan opera performance. These stories are each exclusively played by the particular troupe. Sukyi Nima, Drowa Sangmo and Pema Woebar exclusively perform by the Kyormulung troupe. Prince Norsang is solely performed by Gyalkhara as their main performance because of their monastic background. The troupe from the Muru Monastery perform only Deep Tenpa. The Chungpa Troupe perform Drimed Kunden.

People from all walks of life in Tibetan are familiar with arias. They would often sing it during all the social gathering, religious festivals and even while walking lonely in remote places.

Abbot of the Drepung Monastery watching Tibet Opera during the Yogurt festival in Lhasa

Background story of Tibetan opera and Thangtong Gyalpo

Tibetan Opera was started by Thangtong Gyalpo in 14th Century. He was born to the peasant family in Shigatse County in 1361.  As a child, he was sent to the Local monastery to learn about Buddhist Philosophy. During his childhood in the monastery, he is a smart child and easily able to learn everything. Later he came to Lhasa for further his studies. In Lhasa, he found many people are not able to cross the river in the boat for they don’t have money to pay for. He begs the boatmen to let these people cross for free of cost, instead of letting them cross for free, the boatmen have beaten Thangtong Gyalpo. After this incident, he has generated the very strong desire to build the bridge over the River.

He selected seven sisters from his labor during the construction of a bridge at Chowo Ri. He thought them songs and dances, with them he formed a first Tibetan opera troupe. Girls wearing beautiful costumes, they traveled around Tibet performing to raise funds for the projects. The girls sang and dance while the yogi himself beat the Drum and cymbal. Tibetan is so impressed with the performance and they hailed the girls as the goddess. Since then they are known as Ache Lhasa (Sister Goddess). After a while, the performance of Tibetan opera itself is called Ache Lhamo.

The group was able to raise fund for 58 iron bridges and 60 wooden bridges across Tibet. Some of his iron bridges are still standing in different places in Tibet and Bhutan.

Now in Tibet is custom for us to install statues and images of Yogi when we are occupying a new home. During the Tibetan opera performances, it is custom to have a ritual dance and installation of his statues in the middles of performance ground or stage and pay homages to him.

Ngonpa with thangka of Thangtong Gyalpo during Tibetan Opera performance in Drepung Monastery

The Performance of the Tibetan Opera

Traditionally Tibetan Opera Or Ache Lhamo is usually performed outdoors on a circular stage where all the audience would sit around the circular stage to enjoy the show. The Stage may or may not have a tent above the stage.

Initially, all the members of the troupe would come to the stage to pay homage to the image or statue of Thangtong Gyalpo. follow by the dance of the Hunters (Ngonpa) while the Ngopas are dancing the auspicious dance. The seven Lhamos ( angels) and the Narrator will appear on the stage. After the dance, the narrator will initiate the play by narrating the part of the story. followed by song dance and singing of arias.

Supsiquently the actor would play the stories. During in the play, they will be lots of jokes, singing and dancing as the part of the story and audience.

By the end of the play usually with the victory of the good over evil. There will be dance and song follow by the offering of incensed to the god of the world out of gratitude.

Ache Lhamo Dancing during tibetan opera performance in Drepung monastery

Tibetan Opera in Modern Time.

Tibetan opera has been list intangible culture of Tibetan People and Chinese National by the UN, Central Government in Beijing and Regional Government of Tibet Autonomous Region of China. There have been many efforts from the Government in all the levels preserve and promote it. Now all the county in Tibet, as they own troupe. They would have a competition every year in the Norbulingka for a week-long traditional Tibetan Holiday of Yogurt festival in Lhasa.

Many schools in Lhasa has Tibetan opera class as the extra curriculum. The most popular stories in the Tibetan opera in Tibet now is of the Princess Whencheng. When you are in Lhasa, you can visit the Village Drip Tsechokling to see the live performance of the Princess Whencheng.

Tibetan Opera mask of Hunter
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